With over 100 exhibitions to her credit, Nancy Scheinman’s work is
garnering considerable praise and attention in art circles throughout
the world. At present she is in the collections of the Fogg Museum, the
Baltimore Museum of Art, National museum of Women in the Arts, Portland
Museum and Bayley Art Museum, as well as numerous private and corporate
collections.
Scheinman pursued formal training at the
Washington University School of Fine Arts in St. Louis, where she
received a Ford Foundation Scholarship, graduating with a BFA with
Honors in 1980, and her MFA in 1985. She also studied at the Rhode
Island School of Design, the New York Studio School, and Pellacani and
Barsi in Pietrasanta, Italy.
In her latest series, devoted to
paintings on copper and wood, Scheinman continues to demonstrate her
gift for taking inspiration from diverse sources and for employing
collage to derive maximum expressive effect. Like fabric, hand embossed
sheets of copper are cut and collaged together, washed with acid, and
nailed over a wooden support and painting.
Scheinman’s use of
acid washes suggests an alchemist’s approach, producing sensuous
patinas, marks and stains, shapes and textures, from which a narrative
emerges. The resulting paintings challenge the notion of historical
landscapes by combining elements of traditional landscape painting with
natural physical changes of the materials. With her innovative method
of mixed media paintings, she is able to create fresh, dazzling and
otherworldly images.
Albright Knox Museum curator, Dr. Kenneth
Wayne, states in his essay on Scheinman’s work, “Scheinman is one of the
most gifted practitioners of collage in the United States today, using
it to piece together many images that convey a complex narrative. Her
appreciation of color and the way they can be combined is extremely
sophisticated.”